Backs at Raf Simons. | Image courtesy of orange juice.

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>>> COPY. POST.

Copy that. Loud and clear. | A couple of street style scenes from Milan Fashion Week, Spring 2015 via The Fashion Spot.

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>>> KNOCKIN’ BOOTS

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viamovierail2My favorite boots: ancient and battered Via Spiga’s that have stood the test of time and keep getting better with each wear. My preferred seating at the theatre: I get there early to secure the bar seats. | Images taken by me via iPhone, – an old one that I love. He has survived a balcony drop and mini-flood. He is unflappable. He does not bend like Beckham.

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>>> CARDBIRD WATCHING

SMALLrau

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cardboardRWhen all else fails, post some Rauschenberg.  1. From the Cardbird Series via Bukowskis.  2. Cardbird III, 1971. Offset lithograph, screenprint, tape, and polyethylene collage on corrugated cardboard. Via Brooke Alexander Gallery.  3. Final pieces presented to the general public. Robert Rauschenberg: Cardboards. Presentation at the Robert Rauschenberg Foundation, NYC, (May 2012). Image courtesy of Flickr, Didier Leroi.

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Still one of my most favorite series from any artist, living and deceased, to date.

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>>> SPINAL TAP

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buzzAScreen shots of the documentary Objectified (2009) by Gary Hustwit.  1. An archive of sketchbooks lovingly labeled and dated along the spines. This is the current image on my phone lock screen right now.  2. A Buzz Aldrin toy that I wish said this. | All images by Flower via iPhone.

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 Objectified is on Netflix Instant and has been for years. It is something that I revisit and play as background noise when I am working

I treat it as a semi-constant thing that is one increment from a tangible DVD on my shelf.

When I saw Image #1, I walked directly over to the TV. I was attracted to the handwriting labeling each book spine. I don’t actually want to see the contents of each item. I only want to imagine them. The imagining part is more intriguing and exciting to me. I also love the idea of a person viewing an image of a humanistic bookshelf on a monitor.

Years ago, I got my designer friend a very inexpensive book for his birthday. It had the look of an ordinary paperback but the pages were all blank. In the the card, I wrote:

Fill this up with your ideas and drawings and years later when you revisit it, it will be the best thing you’ve ever read.

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>>> HANDLING

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1. A brace to correct the hazards of working with ones hands. Image via Loose Tiger.  2. A spread showing Kim Gordon using her hands and featuring a quote from Lee Ranaldo via Curse of the Multiples.  3. Striped hands. Room 9, Magda Laguinge by Jens Langkjaer for Rika (F/W 2013-14) via blk lavandula.  4. Mixed media work done by the hands of Robert Motherwell. Image courtesy of Aubrey Stallard.

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I’ll keep this brief.

This movie was on last night – which exposed me to this scene – which reminded me of this documentary which may or may not still be on Netflix – which reminded me of this quote:

“People who do not work with their hands are parasites.”

- Jenny Holzer

Holzer’s Truisms are meant to be seen. Most people have only read them, maybe on a palm-sized wood plaque or as a projection boldly burned onto the side of a building. But in the documentary About Jenny Holzer (2011), the quote above is audible. The words actually come from her mouth.

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>>> BROWSER

Searching for a reference point. Photo from Rejina Pyo. | Image courtesy of svijest.

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All of Sunday was spent looking for a handful of integral items that would slowly build cohesion. We found them and it was then that we began to create.

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>>> STAR SAT.

satTag of the day: saturdays.  | Image taken via iPhone by Flower.

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What will you do today with your Saturday? | A short exercise that will take 2 minutes:

Is it sunny outside? Go outside. Face the sun. Let that star warm your face and heat up your arms. Now close your eyes. Take a nice deep breath. Think about someone you miss. Now try to remember a story of you and that person – one which makes you smile immediately. Let the memory become as real as the sensation of the sun.

If anything should go wrong today, revisit what has surfaced in this exercise.

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>>> TO SAY

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apc2To replace the one that I lost and to say congratulations. From my most favorite person in the universe. | Images via iPhone by me.

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Picture #1:  Milton Avery, Swimmers and Sunbathers, 1945. The Metropolitan Museum of Art, New York.

Remember? 2002. Our first first trip together and the museum that we visited numerous times to escape the suffocating summer in the city.

All my <3, F

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>>> THE WIRE

Everything in its right place. Wires and panels labeled and ordered in Casey Neistat’s studio. | Image courtesy of Things Organized Neatly.

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This picture reminds me of this room in Bryan Cranston’s “love shack” featured in Dwell (July/August 2013).

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>>> UHHHH…

dinoRandom crumbs. That thing we saw when we were out in the middle of nowhere. | Image courtesy of Sky Le Blogs.

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It’s the weekend! It’s the weekend!

Enjoy it!

<3, F

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>>> SPIKE

huydurianmarketplaceReflective object and a decorative durian sculpture at the hotel from this past holiday weekend. | Image via iPhone by Flower.

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I became a bit obsessed with this spiky fruit sculpture that I spotted on the shelf at the hotel. I grew up eating durian and I love it. My mother would buy one as a treat and would toil and sweat splitting it open with a hammer and hatchet. Her knuckles would occasionally slip and hit a spike. As she would serve it, I would notice her hand wounds. Extracting durian is a labor of love.

Later on as an adult, I never understood the controversy behind it. I remember explaining to my mother that people found the scent repulsive and she responded in a way that said, “I don’t understand people”. It was all in her eyes.

When I was in Thailand years ago, I remember just one warning sign boldly displayed in the hotel elevator. It stated: NO DURIANS ALLOWED. So, you can see why I found it hilarious that they had this sculpture in the hotel.

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>>> ANTIDOTE

Skate or Die! | Aymeline Valade photographed by Jan Welters for Antidote (Spring/Summer 2012) via 012.

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Proof that modeling can be challenging.

Direction: Hop on this board. Now go out there and make the garments look good – just don’t hurt yourself or the garments.

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>>> PYRAMIDES

gizadeckUpper Deck. Beautiful wooden structure down by the sea. You’re all invited. | Image courtesy of archispaces.

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Gazing at the ocean. Feeling the sun bake your limbs. Tasting the salt of the Earth.

Happy Labor Day!

<3, F

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>>> NEW ORDER

Look closely. Order is chaos.  1. A army of dice. The post description included the following: “ed: I posted this photo last summer, and someone sent it back with this red circle pointing out an imperfection!” via Things Organized Neatly.  2. An arrangement of cubes with the history erased and rewritten via Bad Textures.

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“I think perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion.”

Yohji Yamamoto

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>>> SHHHHH

secretsThe secrets that we keep. | Image courtesy of Pleasing Aesthetics.

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>>> SEARCH BAR

bookhockeyThat unmistakable pose. We are all searching for something. | Image courtesy JAKUBOWSKI.

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>>> YES

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CLEANING

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Various works by Yoko Ono.  1. “Yes” button by Yoko Ono for McDonough Museum of Art, Youngstown, Ohio. Via Miki on Flickr.  2. Cleaning Piece III, 1996.  3. Syllable Piece, Closet Piece I, II, & III, Cloud Piece via Art Bouillon.  4. Air Talk from Lisson Gallery brochure, London 1967, via Yoko Ono: Infinite Universe at Dawn.  5. Blood Piece, 1960 Spring via Fuck Yeah, Book Arts!

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Christmas/New Year’s in NYC, 2003.   

My childhood friends and I decide to go to see Monster one evening at the huge theatre on Broadway. The four of us split up to use the restroom, get concessions. Bijou Phillips comes up to my friend and I and asks where the bathroom is. Then Phillips does a weird dancer twirl in front of my friend and freaks her out a bit. I tell Bijou that I’m going to the bathroom so she follows. We take the elevator. I ask what movie she is seeing and she tells me – Monster. I get excited and tell her I am too. I head back to my friends who are already seated.

I am about to enter the aisle, my friends are quietly laughing, their hands covering their mouths and they’re pointing to the seats directly in front of us. I have no idea what is going on. I ask, “What’s so funny?” Then I look and realize that Yoko Ono, Sean Lennon, Bijou Phillips, and random guy are sitting directly in front of us. Now, I’m laughing. If I wanted to, I could tap Yoko on the shoulder or snatch her hat off of her head.

I vividly remember a couple of things from that night. 1. Yoko’s response to an anti-drug commercial was hysterical laugher. 2. The love between Sean and Yoko that still makes me emotional. Yoko had a raucous cough and every time it started up during the movie, Sean would quickly open up this bottle of water and hand it to her.

As the movie ends and the credits were running, the four of them get up to leave while the theatre is still dark. Sean looks at his mother and asks, “Where is your hat? Weren’t you wearing a hat?” Yoko touches her head and looks around. Sean looks under the seats. Then I watched him lay on the floor of the theatre trying to find and retrieve his mother’s hat. It was amazing.

They disappear. As we enter the theatre lobby, I see a man do a double take at the party that quickly breezed by him. He turns to his date and asks, “Was that Sean Lennon and Yoko Ono?”

My response: “Yes. Yes, it was.”

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